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32 shades of ego
Eugène Gabritschevsky (Russsian-German, 1893-1979)
The roots of the Earth, 1960
Watercolor, 29 x 42 cm
Many African Americans from the rural South who moved North during the Great Migration settled in New York City, resulting in the 1920s cultural movement known as the Harlem Renaissance. Explore the artistic culture that resulted from this mass exodus in “African American Artists of the Great Migration."
”The 1920’s… The Migrants Arrive and Cast Their Ballots,“ 1974, by Jacob Lawrence © 2014 The Jacob and Gwendolyn Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York
La tercera cena
#carloshache #illustration (en Madrid, Spain)
https://www.instagram.com/p/BoFLi4eBYo0/?utm_source=ig_tumblr_share&igshid=dg1vjf03cisa
Yinka Shonibare MBE – ‘I’m the Rebel Within’ | TateShots
Activist, choreographer, and composer Victoria Santa Cruz worked closely with her brother, Nicomedes Santa Cruz, to create spaces for black theater in Peru. Her poetry performance ‘Me gritaron negra (They Shouted Black at Me)’ follows her own childhood experiences of racism and her later embrace of her blackness as a source of pride. The performance addresses black experience in South America, which is often denied and devalued by dominant cultures and regimes, despite long histories of Afro-Latino traditions throughout the region. By forcefully uttering the words “¿Y qué?” (“So what?”) to the rhythm of clapping hands, which also sets her body in motion, Santa Cruz calls for self-empowerment and black pride.
Don’t miss Santa Cruz’s work in Radical Women: Latin American Art, 1960–1985 which opens April 13.
Paintings by Ryan Hewett
Who owns the Fuad Thaufeeq graffiti, the artist or Fuad?
Lead Shot Star XV [graphite layer and completion]
Watercolor, gouache, and graphite on paper, 14x18″
2017
#maldives island distribution #map (inhabited & resorts)